Nasha U. Khan

π™»πš’πšπšŽπš›πšŠπš›πš’ π™΅πš’πšŒπšπš’πš˜πš— | π™Ώπš˜πšŽπšπš›πš’ | π™΄πšœπšœπšŠπš’

Poetry
The Ride (Poet Laureate Selection, Updated Version) | P280 | San Diego Poetry Journal | 2024 thumbnail
The Ride (Poet Laureate Selection, Updated Version) | P280 | San Diego Poetry Journal | 2024 
Fate and Destiny | BLUE MINARET | 2015 thumbnail
Fate and Destiny | BLUE MINARET | 2015 
The Ride | BLUE MINARET | 2015 thumbnail
The Ride | BLUE MINARET | 2015 
Digital Product
The Hero on the Wall
The Hero on the Wall | The 64 Best Poets of 2019 | THE HALCYONE & BLACK MOUNTAIN PRESS | 2020
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Digital Product
The Pine Tree
The Pine Tree | The 64 Best Poets of 2019 | THE HALCYONE & BLACK MOUNTAIN PRESS | 2020
$5
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Essays
Recalling Muhammad Ali β€” his life, his impact, and his influence on his daughter Maryum | ESPNW | 2016 thumbnail
Recalling Muhammad Ali β€” his life, his impact, and his influence on his daughter Maryum | ESPNW | 2016 
Rahaf Khatib: 'This is what America is made of and the running community reflects it | ESPNW | 2016 thumbnail
Rahaf Khatib: 'This is what America is made of and the running community reflects it | ESPNW | 2016 
How fencing champion Ibtihaj Muhammad resurrected one woman’s old dream | ESPNW | 2016 thumbnail
How fencing champion Ibtihaj Muhammad resurrected one woman’s old dream | ESPNW | 2016 
Digital Publication: Substack
Personal Essays | Speculative Fiction | Vignettes | Audio Readings with Graphics & Visuals
Burnt Toast and Cobblestone Streets | 2022 thumbnail
Burnt Toast and Cobblestone Streets | 2022
A Prologue: What’s in a Name? thumbnail
A Prologue: What’s in a Name?  
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A Backstory: Burnt Toast | π‘π‘’π‘Ÿπ‘ π‘œπ‘›π‘Žπ‘™ π‘’π‘ π‘ π‘Žπ‘¦ thumbnail
A Backstory: Burnt Toast | π‘π‘’π‘Ÿπ‘ π‘œπ‘›π‘Žπ‘™ π‘’π‘ π‘ π‘Žπ‘¦  
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A Chapter: Cobblestone Streets | π‘π‘’π‘Ÿπ‘ π‘œπ‘›π‘Žπ‘™ π‘’π‘ π‘ π‘Žπ‘¦ thumbnail
A Chapter: Cobblestone Streets | π‘π‘’π‘Ÿπ‘ π‘œπ‘›π‘Žπ‘™ π‘’π‘ π‘ π‘Žπ‘¦  
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One: What’s Yours is Yours | π‘π‘’π‘Ÿπ‘ π‘œπ‘›π‘Žπ‘™ π‘’π‘ π‘ π‘Žπ‘¦ thumbnail
One: What’s Yours is Yours | π‘π‘’π‘Ÿπ‘ π‘œπ‘›π‘Žπ‘™ π‘’π‘ π‘ π‘Žπ‘¦  
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Two: An Apologue | π‘ π‘π‘’π‘π‘’π‘™π‘Žπ‘‘π‘–π‘£π‘’ π‘“π‘–π‘π‘‘π‘–π‘œπ‘› thumbnail
Two: An Apologue | π‘ π‘π‘’π‘π‘’π‘™π‘Žπ‘‘π‘–π‘£π‘’ π‘“π‘–π‘π‘‘π‘–π‘œπ‘› 
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Three: Draw Strings | π‘π‘’π‘Ÿπ‘ π‘œπ‘›π‘Žπ‘™ π‘’π‘ π‘ π‘Žπ‘¦ thumbnail
Three: Draw Strings | π‘π‘’π‘Ÿπ‘ π‘œπ‘›π‘Žπ‘™ π‘’π‘ π‘ π‘Žπ‘¦  
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Four: The Way Back | π‘π‘’π‘Ÿπ‘ π‘œπ‘›π‘Žπ‘™ π‘’π‘ π‘ π‘Žπ‘¦ thumbnail
Four: The Way Back | π‘π‘’π‘Ÿπ‘ π‘œπ‘›π‘Žπ‘™ π‘’π‘ π‘ π‘Žπ‘¦  
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